Monday, 22 August 2016

Class Analysis Film Trailer - X & Y

X & Y Film Analysis Trailer





The first scene begins with a child and an adult sitting on a school bench with two black chalkboards behind them both. This suggests that the film could be in a school environment. Another mise-en-scene piece that supports the idea of a school environment, is that the child is dressed in a blue polo shirt and black trousers which suggests a school uniform. The adult looks to be a teacher dressed in a open collar shirt and suit jacket. This scene immediately establishes possible two main characters that could play a significant role in the film. The camera shots are two shot x2 and a close up on the boy in-between the 2 two shots. This scenes editing consists of a simple match cut - two shot to closeup back to two shot - this is effective for this short scene as it closes up on the boys emotion; which he simply has an emotionless face so already in the few seconds of the trailer we already guess something is different about the young boy. This is supported by the diegetic dialogue where he questions the adult why he is putting out his hand (with the intent to shake it) and the boy already says he doesn't like it. But the teacher pushes him to bluntly that 'we all have to do things we don't like doing but we do them'.  Toward the end of the scene, a non-diegetic music/soundtrack begins after the dialogue between the two characters.


Next is a series of four scenes; the editing in this series of scenes is a montage that is used for effect to create a mood or a theme in the trailer. It begins with an extreme close up of an eye (we believe to be the boys), which cuts to a zooming in medium shot of the boy sitting on the floor, of what looks to be a bedroom, reading a book. This then cuts to a medium shot of the boy with his nose pressed up against a large fish tank (the fish tank is very big and could be in a public place as we also see the backs of heads in the scene), which cuts to a close up on the boys hand as he writes/doodles in a work book (the end cut connects with the next scene). The sound in this series of scenes is non-diegetic. A classical piano instrumental is played over the clips. There is dialogue played over the top, and it connects with the scene shown as both the dialogue and scenes show pieces of his life, his possible anti-social tendencies, a lonely young boy and his cleverness. The dialogue also connects with how the young boy is undermined. We could infer from this information that the representation/theme could be that the young boy has a disability. In looking at the information, we could say that the disability could be autism or Asperger's due to the anti-social and loneliness.


The next scene is set in a bedroom with the young boy and now we are introduced to another character; a woman who looks to be the young boy's mother. We also see how the abacus on the left of the frame has been pushed specifically to the left nearly which also indicates some kind of OCD, which could connect to the idea of autism. The shots in this scene are of a close up and medium shots. The editing is shot-reverse-shot between each of the scenes. The shot-reverse-shot has been used for the exchanging of dialogue for the two characters. With the mothers positioning and the way the camera is positioned is used for effect to support the idea of him being undermined, she appears to be talking down to him. However he replies back with how she isn't clever enough to help him with his homework (possibly). This kind of response with the bluntness could be the autistic point of view.  The sound in thi



#4

The next scene is a fade from young to old. The editing of this scene is a cross-fade; its the fading of the young boy shot into a teenage boy shot. This is used to emphasize the jump in time from him being primary school age to high school age. The shot that is used for both is a close up shot that is titled to the left for effect. The sound is simply non-diegetic soundtrack and it is a classical music piece. This scene is set in the boys bedroom and we see how the bedding changes as well as the boys age. This is also a big indication as to the ju,p in age difference as to how it goes from a kids dinosaur duvet set to a plaid type design which would indicate an older boys style. 

#5

The next scene gives us a huge insight into the boys life and how others treat him. The mise-en-scene is the set of the scene which is in a cafeteria/dining hall in this shot. We see the boy sat alone in this whole room and the other teenagers are sat all in a group together. The mise-en-scene suggests they are in a school environment with the set and the costumes also connote with this idea too. The loneliness aspect is shown by various different parts of this one shot. The sound is a contributor to this specific aspect as well, because the not only is it the non-diegetic soundtrack that is played in this shot but the non-diegetic dialogue is very deliberately played over this scene. The boys talks about how he has a lot to say but how no one listens to him or wants to hear. In addition the visible mise-en-scene of the boy sitting alone connotes with the sound. The camera shot is an extreme wide shot which is deliberately used for effect to highlight the fact of the boys loneliness. 

2. OITNB Trailer Analysis

Orange is the new Black Trailer Analysis




1. The first scene is made up of four consecutive shots . The first shot begins with a people bus rolling into the short with the words "Dept.Of Correction" on the side. This suggests to us that the series involves a prison theme. Another piece of mise-en-scene that supports this is the uniform of the men who walk out of the bus, who appear to be officers of the law who could be working in a prison. In addition in the other shots with prisoners being lead into a building, we also see the barbed wire fences that connote with the idea of a prison theme. The shots in this scene are a medium tracking shot to a wide shot to a birds eye view to a medium shot. The shots themselves are slow but the editing from one shot to another is fast. The editing in this scene is a straight cut and a match cut. Another editing technique is the use of the text over shot . The non-diegetic dialogue is what the text is displayed on the shot. The editing is continual. The sound in this scene is the non-diegetic and score and the synchronous sound of the bus noises. 

2. The next scene is made up of just two shots. The mise-en-scene in both these shots are a plain building which could possibly be a prison connotes it with the costumes/makeup. Also the razor wire fencing supports this possibility. The shots for this scene is a wide to a close up-tracking-two shot. It focuses on two characters in particular. This could mean that they are significant in this series. The editing in this scene is just a straight cut from the first shot to the second. Also there is the use of the text over shot syncing with the non-diegetic dialogue. The only sound in this scene is the non-diegetic score and dialogue.


3. The next scene is made up of four consecutive shots. This scene could possibly be the equilibrium established with us seeing four characters that could possibly be the main characters or at least have some significance to the series. The only evidence that would support this is if they are seen again in this trailer. This scene, based on on the mise-en-scene, could be set in a cafeteria. I believe it to be set here due  to the visible seating and the dinner trays that are dotted around the room and is visible in one of the characters hand, which supports the idea. The shots in this scene are medium to medium close up to medium close up to medium. Two of the shorts are tracking, one is zoom and the other is handheld. The editing in this scene is continued as these shots are all in the same set/location and are just straight cuts. Also there is the text over shot editing which syncs with the dialogue on screen. The sound is a non-diegetic score and dialogue in sequence with the text overshot.


4.  
  • New character - could be significant to series.
  • Mise en scene - in a room with a wall separating; could be rooms? Visible prop of a hanger that supports the idea of rooms. 
  • The shot is a medium close up zoom. 
  • The editing is the text over shot. 
  • There is only non-diegetic sound - score and the dialogue (the text - "just like the Hamptons" could be sarcasm about what the location is like in this series) The dialogue is "just like the Hamptons - only horrible"  which supports the sarcasm idea. 
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5. 
  • New characters - could be significant to series
  • Mise-en-scene - characters sitting on stairs, costumes/make up suggest prison (prisoners uniform)
  • The shots are three medium close ups - the camera movement is tracking as if someone is walking past the characters (the facial expression of the characters supports this)
  • The editing is noticeable in this scene as it jumps from one shot to another showing the exact same characters in the same location.
  • The sound is non-diegetic score and a non-diegetic dialogue that is overlapping from the previous scene. 


6. 
  • Character - face is not visible but costume/make up suggests Correctional Officer uniform connecting with prison theme. Not significant personally - but has relevance to series.
  • Mise-en-scene -Possibly be a cell door being closed by guard. Nothing visible in the 'cell'. 
  • The shot is a medium side shot of the guard and the cell door. 
  • The editing in this scene cuts to black as soon as the 'cell' door is closed. 
  • The sound in this scene is non-diegetic dialogue and the door closing is ambient/ synchronous sound. 


7. In this four shot scene, we see one character we have seen in a previous scene and several new characters we have not seen before. In these shots we see the same uniforms of the prisoners with some in a beige uniform or a orange uniform. The first shot is of a character, who we have seen previously, in a room we assume to be a cafeteria (the dinner trays), the second of some new characters separated by a fence, the third of what looks to be an inmate getting wed and the fourth , an armed police/SWAT team coming out of the end of a black van. The fourth shot shows to us the possible disruption in the series narrative. This disruption could be following Todorov's narrative theory where the disruption is where something happens that hugely affects the characters lives. The shots are a medium tracking close up to a close up to a medium close up to a medium. The editing of these shots is a montage as these have been placed together to display a feeling or theme in the series. The theme we can obtain from this montage is the prison theme. The sound in this scene is a non-diegetic score and the synchronous sound with the editing of the scene of a klaxon. The klaxon could also connect with the disruption idea in the series.   



8. This next scene is an extending scene from the previous scene. It is a continuing montage. In this four shot scene, we see a couple of characters we have seen in a previous scene and several new characters we have not seen before. The first shot is of two new characters, with one offering the other a drink , the second shot is of two characters by some bunks with one eating, the third is of a gathering of characters in a room and the fourth is of someone approaching several characters with one main in the center, who we can assume is very relevant to the series. We also see in this scene a mix of ethnicity amongst the prisoners. The shots are a two shot to an over shoulder to a wide to a medium.  The editing of these shots is a montage as these have been placed together to display a feeling or theme in the series. The theme we can obtain from this montage is the prison theme. The sound in this scene is a non-diegetic score and the synchronous sound with the editing of the scene of a klaxon. The klaxon could also connect with the disruption idea in the series.   


9.  
  • New character - haven't seen before; significant?
  • Possible comedy aspect - new genre idea
  • Mise-en-scene: possible prisoner inside an office - a prisoner in position of power? We find out characters name
  • Camera shot - medium
  • Editing - none
  • Sound - diegetic dialogue (phone call)



10.  
  • Title of series is named
  • Date of release is shown
  • The word 'inmate' on the ID tag supports the idea of a prison theme
  • The production company is named
  • Social media is shown